It is possible even through the centuries of transmission and the editorial layers of the gospels themselves to discern the deep affection that Jesus’ earliest followers had for their ‘master’ and friend. Some of them would choose to die for him rather than renounce his memory. Continue Reading »
Posted in textures | Tagged biblical reflection, Matthew, textures | 1 Comment »
One of the great 2008 musical stories is the resurrection tale involving a bunch of college dudes of yore (well, actually, not that many years ago) who reunited their Indiana University combo long enough to grab the attention of a record executive who offered them a multi-album deal that, fortunately, began with this Christmas sendoff.
Simply put, Straight No Chaser is sensational a cappella music which the boys clearly have fun making. Continue Reading »
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This eclectic compilation is worth acquiring for Aretha Franklin’s opening track (‘Yield Not to Temptation’) alone. And that’s before you hit the aesthetic roller coaster of the remaining eleven titles.
Unfortunately, as one of the gems that emerged under the 1990s Sunday Times Music Collection rubric it is not widely available. The artists tagged in this post, however, are widely available under their own names.
1994 sounded good.
Posted in reseña | Tagged Aaron Neville, Aretha Franklin, Chi-Lites, Curtis Mayfield, Etta James, Impressions, Jackie WIlson, James Brown, Joe Tex, Lee Dorsey, Mary Wells, music, Percy Sledge, Sunday Times Music Collection | Leave a Comment »
The Sunday Times Music Collection of the mid-1990s produced some fabulous compilations, of which Sax Appeal must rate as one of the best.
Twelve pieces, recorded by front-list bands between 1929 and 1944, are splashed across 35 minutes of play time.
This is quintessentially American music played by orchestras who usually had the conductor’s name in their title. Sadly, this 1995 CD appears not to be readily available.
Posted in reseña | Tagged Adrian Rollini & His Orchestra, Benny Carter & His Orchestra, Bud Freeman & His Summa Cum Laude Orchestra, Cab Calloway & His Orchestra, Chu Berry, Coleman Hawkiins Quartet, Frankie Trumbauer & His Orchestra, Freddy Gardner, jazz, Jimmie Lunceford & His Orchestra, Jimmy Dorsey, Johnny Hodges & Orchestra, Lester Young Quintet, music, reseña, Sindey Bechet, Sunday Times Music Collection, Willie Smith | Leave a Comment »
In the midst of one of its less inspiring genealogies, the Bible offers us a brief glimpse at the remote fringe of what must have been a remarkable story. As it is wont to do, rabbinical tradition would fill in the absence of detail regarding a certain Enoch. The biblical text presents this man in its most sparing voice:
When Enoch had lived sixty-five years, he became the father of Methuselah. Enoch walked with God after the birth of Methuselah three hundred years, and had other sons and daughters. Thus all the days of Enoch were three hundred sixty-five years. Enoch walked with God; then he was no more, because God took him. When Methuselah had lived one hundred eighty-seven years, he became the father of Lamech.
The comment about Enoch ‘walking with God’ and about God taking him—whatever these things might mean—stands out against a strictly patterned genealogy that merely names biological antecedents, successors, and their respective life spans. Continue Reading »
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The serpent figures in the paradigmatic story of human origins as the Bible’s first cynic. He has strong ideas about the arbitrary nature of God’s decrees and the selfish motive that lies behind them:
But the serpent said to the woman, ‘You will not die; for God knows that when you eat of it your eyes will be opened, and you will be like God, knowing good and evil.’
The serpent has some convenient data with which to work. God in fact does not give a reason for his unexpected ring-fencing of just one tree when he has already given the whole ranch over to the first couple. It seems so unreasonable and, certainly, asymmetrical. It is the kind of thing that raises suspicions. Continue Reading »
Posted in textures | Tagged biblical reflection, Genesis, textures | 1 Comment »
It’s a shame that US immigration policy and the reality on the ground are so chaotic. If it were not so, it might be a simple matter to figure out what a body needs to do in order to employ, say, a housecleaner to come in for a few hours a month.
It is not simple and, so, a guide like this is needed.
The Nanny and Domestic Help Legal Kit is a model of clarity and accessible tools. Continue Reading »
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The gospel of Matthew begins its presentation of ‘Jesus the Messiah, the son of David, the son of Abraham’ with a genealogy. This fits perfectly the identity given to Jesus at the front end as heir of a rich, three-fold legacy of memory of expectation. If he is ‘Messiah’ and if he is heir to David’s throne and if he is the vehicle or realization of the promises made to Abraham, then he before all else will be the restorer of Israel. So does the carefully selective genealogical material that follows cohere perfectly with Matthew’s grand design.
Matthew then crowns his genealogy with a rather famous quotation from the book of Isaiah which is now understood to have pointed to Messiah’s birth by way of a virgin. At least two features of this approach suggest that a key party—the nations—is missing. YHWH’s promise to Abraham embodies blessing to many nations, in the first instance. Any prospective reading of Isaiah nourishes the expectation that the nations will stream to Israel’s God at some future date and that they may even compete for first arrival honors as they flock to Zion to learn from him. Continue Reading »
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John David Webster is a gifted and energetic musician with a passion for worshiping Jesus Christ.
The Live at Lakeview album places these virtues on appreciable display.
As is the case with most contemporary worship leaders, the experience would be enhanced if we felt less obligated to speak. He’s much better when he sings.
When he talks (as he does quite a lot), he sounds banal and overly nailed to a rock-star persona. When he sings, the music is glorious.
Sing, John David, sing!
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This early publication of the Hebrew University Bible project is a formidable achievement that pays tribute to the inestimable labor of its editor and editorial team.
The work represents a critical edition of the Aleppo Codex of the Book of Isaiah, widely considered to be the work of Ben Asher and the biblical exemplar commended by Maimonides.
In a preface that appears in both Hebrew and English, editor M.H. Goshen-Gottstein painstakingly and with striking clarity details the philosophy and pragmatic decision-making that produced the published text with its no fewer than six critical apparatii in the light of the history of the biblical text as we know it. Continue Reading »
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