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By way of his ambitious Living as the People of God (1983), Christopher Wright attempted61B2R7pA2mL._SY346_
to address the paucity of serious reflection on Old Testament ethics by providing ‘a comprehensive framework within which Old Testament ethics can be organized and understood.’ The intervening two decades between the book’s original publication and the 2004 updating of that work as Old Testament Ethics for the People of God had witnessed a florescence of writing on the topic. While the reawakening of popular and scholarly interest in Old Testament ethics is to be welcomed, no part of it lessens the value of Wright’s enduring ‘comprehensive framework’.

Wright has inherited from his mentor, the late John R.W. Stott, the knack for wrestling complexity into clarity without lurching into simplistic reductions. Already in the book’s introduction, we see evidence of this in Wright’s ‘ethical triangle’: 

God, Israel and the land—these were the three pillars of Israel’s worldview, the primary factors of their theology and ethics. We may conceptualize these as a triangle of relationships, each of which affected and interacted with both the others. So we can take each ‘corner’ of this triangle in turn and examine Old Testament ethical teaching from the theological angle (God), the social angle (Israel), and the economic angle (the land).

Wright apologizes, even if not fervently, for the absence of the individual that some readers will note in this schema. Yet in this reader’s estimation, that missing individual will show his or her face often enough in the pages that follow, particularly when one is poised at the ‘social angle’ corner of Wright’s admittedly artificial but nonetheless instructive triangle. (more…)

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41TErMtvHSLHow does a book like this even happen?

Sue Hubbell loves her Ozarks and the people who live there, loves her bees, and by all appearances has a thing going with words and the art of stringing them together. It seems that beekeepers now join flyfishers as unlikely creators of great writing.

Who knew?

Hubbell weaves her tales of bees and sweet countryside around the four seasons of her craft. This makes for four long chapters, perhaps the only defect in an otherwise enchanting read. Along the way we learn a fair piece about keeping bees (much of it in the ‘let them be bees’ category). We also taste and feel the Missouri seasons and warm to the spirit of a woman who has learned to live so well in her adopted countryside.

The result is a book worth reading at least twice. Then, after a rest, perhaps a third time.

Somehow the book’s simple title perfectly frames the easy lilt of its prose. Nothing is difficult here. Just beautiful.

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In a season when a determined minority of parents are happy to say that the mass-51uoveg1vTL._AC_UL640_QL65_education emperor has no clothes, it is good to have this little manual from Dorothy Sayers’ pen to provide a well-grounded model of what a real emperor just might look like, fully clothed.

A portion of this 1947 broadside (for in spite of its exquisitely respectful prose, this is precisely what it was) by a British classicist and novelist is that Sayers sounds as though she is writing in early 21st-century America. Via an argument that fast-forwards with magnificent ease, she dares to suggest that Western culture has in a sense gone mad and is employing the mechanics of education to assure that its children remain just as loony as their parents. In other words, Lost Tools is a polemic against those who are responsible for the misplacement of the darned things and/or committed to their non-discovery.

Sayers thinks that education was once done well in the West, and that its hammer, saw, and chisel are recoverable with a bit of effort.  (more…)

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51cgEgMuAnL._SX328_BO1,204,203,200_It is a fortunate and powerful thing moment when a thinker trained for policy analysis finds his voice as a story-teller. That Ian Toll has lent that voice to narrating events in ‘the other war’ is a profound boon.

The persistent thread around which Toll weaves his story of the early war in the Pacific is the Alfred Thayer Bahan doctrine of concentration and battle wagons. The weaving is a subtle art in Toll’s hands, because the astonishingly brief moment between Pearl Harbor and Midway both debunked Bahan’s confidence in the battleship and proved that even Japan’s naval might was fallible when deployed without due concentration.

The author has delved deep into the minds of both Japanese and American warriors, from deck-swabbers and lowly engineers to admirals and their quirks. The result is a profoundly respectful telling, one that never allows the reader to forget that both strategy and humanity were as fully in play as it is possible to imagine. (more…)

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Kate Fox’s 2008 (updated and revised, 2014) exercise in English national self-flagellation 51M4+GxPOkL._AC_UL872_QL65_is what we used to call a ‘sprawling’ work.

But that might be to suggest that a single gripping plot line traceable through the book’s 228 pages envelopes an unusually vast cast of characters or detours remarkably into literary tributaries, like one of those fat Russian novels that nonetheless retains its power to draw the reader through, page after page.

That is not the case here.

But hold on, don’t get your knickers in a twist. I mean this review to shed a positive light on a thoroughly enjoyable book of which I have already clocked two front-to-back readings.

In truth ‘sprawling’ might be a bit of (learned) English understatement of a deficiency when ‘unedited’ would express the thing with more candor. (more…)

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517a4WwQTZL._SX327_BO1,204,203,200_When a book like Lynn Vincent’s and Sara Vladic’s Indianapolis lies open on lap or desk, a reader sometimes forces himself from page to page. This one does, at any rate.

This slow march signals no deficiency in the book itself. In fact, this latest entry on the U.S. Navy’s single worst disaster is fluid, witty, somber, and smart. The book ought to be a page-turner.

It’s the story that hurts, the awful, aching tale of seawater, sharks, men driven to lunacy, a breathtakingly inept response to the disappearance of one of the era’s most storied (heavy) cruisers, and then the arguable scapegoating of the ship’s captain for failing to avoid the Japanese submarine he could never have known was there. (more…)

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As it happens, just as I’m finishing Tony Reinke’s 12 Ways Your Phone Is Changing You, I am 816gxLNLlwL._AC_UL872_QL65_deep into two volumes on World War II history, a pair of explanations of Colombia’s unending cycles of political violence (I live in Colombia), and the occasionally disturbing adventure by the late Robert Pirsig so memorably titled Zen and the Art of Motorcycle Maintenance.

Yet none of these volumes that dwell or touch upon topics as dark as world war, civil war, philosophical derangement, and mental illness keeps me up at night the way Reinke’s offering does.

Reinke could have written a jeremiad, could have shouted that our technology will kill us, that we and our mobiles are going to hell in a hand basket. He could have shouted ‘Run away!, Run away!’ from the rooftops. It would have made for easier reading. (more…)

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