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This breathtaking classic of American film-making frames Francis Ford Coppola as one of the all-time great cinematic craftsmen.

Having inexplicablyl missed out on this piece of Americana at the time of its popularity, this reviewer bought the three-film set in time to finish it just after his fiftieth birthday. It was worth the wait.

This epic saga of a mob family that cannot escape the burden of honor no matter how hard it tries (or, at times, fails to try) does not glorify gangsters or their ways. To the contrary, we grow to pity Michael Corleone for the centuries-old Sicilian trap into which he has unwittingly fallen. Continue Reading »

Positions of large responsibility rarely allow one to follow his feelings. Like Michael Corleone in the Godfather movies—though hopefully with more redemptive outcomes—stewardship over the lives and fate of others requires us to become reasonable men or reasonable women.

Elevated to improbably sovereignty over the famine-time life of Egypt, the biblical Joseph is in many ways a model of self-control. The wife of Potiphar, for examples, finds her charms useless to her attempts to seduce Joseph. His discernment of dreams and the courage to articulate their meaning to people whose lives will be enriched or cut short in consequence show Joseph to be a man who knows who he is, what truth is, and how to reconcile the competing demands of each. Continue Reading »

Jesus’ parable of the sower stands out from similar stories transmitted to us in the four gospels. It is unusually allegorical. Elements of the story point to real-world referents in an almost one-for-one fashion that is extraordinary when compared to the body of Jesus’ signature teaching style.

There is tragedy in this tale of seeds, soil, and a sower. For multiple reasons, seed is wasted. The promise of life and harvest turns out to have been betrayed. Rocks, hard-packed earth, and thorns are for the most part the unattractive victors in this story of long odds. Continue Reading »

The compilers of the mid-1980’s Sunday Times Music Collection had the good sense to corral representative works of jazz legends Erroll Garner, Dizzy Gillespie, Charles Mingus, Thelonious Monk, and Sonny Rollins on to this short-length CD.

All eight tracks shine, but the preternaturally talented Gillespie and the cool-plodding Monk take honors.

It is amazing to consider the down-and-out venues where music of this caliber was being made in this way at a time in American history when most of the artists recorded here were barred from the posh joints for reasons of color. Two days from the date of this short review, we inaugurate a Black president …

Cool.

Joaquín Sabina, his band, and his audience shine on this 2001 double-CD live performance. The first disk is labeled acústico, the second eléctrico. Both display Sabina’s captivating stage presence and his knack for telling the story of regular people caught up by irregular forces like that of love itself. This balladesque touch puts one in mind of Juan Luís Guerra, a very different musician but a close cousin when it comes to musical narrative touched with glimmers of Latin America’s signature realismo fantástico.

‘Yo me bajo en Atocha’ is a stunningly beautiful tribute to the enigma that is Madrid. ‘Princesa’ is as bitter and biting as ‘Atocha’ is fluid with exquisite nostalgia. Continue Reading »

mercy!: Matthew 12

The focus of the gospels on presenting Jesus within his real-world Palestinian millieu does not allow for a nuanced portrayal of the Pharisees. It is all too easy to fall into caricature.

Yet even when the proper interpretive precautions have been taken and caveats installed in all the right places, the Pharisee movement appears to have got some things quite wrong. At least when viewed from the perspective of Jesus and his chroniclers, a well-intentioned commitment to fostering holiness across the breadth of their ‘Israel’ had engendered some ugly myopia. Continue Reading »

How great would it be if maturity could take its shape without us first walking the painful mile? Or if love did not insist upon the improvement of its object?

That would be the life! Or at the least it would seem to be so for a season before the mildewed scent of its mediocrity filled the room. Continue Reading »

SJO as she is called was my home airport for many years, so this review of its single, well-hidden VIP lounge may be nudged from stark objectivity by a certain affection for the place.

In spite of the wide spectrum of airlines that now services Costa Rica’s capital city, none of the major North American airlines has a dedicated VIP lounge. You’ll need credentials with a Latin American airline, like Panama’s COPA, or a bolt-on agreement like Priority Pass, my favorite for international airport lounge access. Continue Reading »

As the old saw used to put it, ‘Children are to be seen and not heard.’

Jesus’ teaching on righteous behavior is even more severe. Good deeds ought to be neither seen nor heart, at least not in a way that reflects creditably upon their practitioner:

Beware of practicing your piety before others in order to be seen by them; for then you have no reward from your Father in heaven. So whenever you give alms, do not sound a trumpet before you, as the hypocrites do in the synagogues and in the streets, so that they may be praised by others. Truly I tell you, they have received their reward. But when you give alms, do not let your left hand know what your right hand is doing, so that your alms may be done in secret; and your Father who sees in secret will reward you. And whenever you pray, do not be like the hypocrites; for they love to stand and pray in the synagogues and at the street corners, so that they may be seen by others. Truly I tell you, they have received their reward. But whenever you pray, go into your room and shut the door and pray to your Father who is in secret; and your Father who sees in secret will reward you.

Jesus tackles both the horizontal and the vertical axes of piety with this potent offensive against religiosity. That horizontal sharing of resources with one’s human neighbor is to be carried out unnoticed. It’s objective is the mere application of mercy and allocation of resources where they are needed. No referendum on the actor’s stature is to figure in the equation. Continue Reading »

If I did not hold Sting’s 2006 Deutsche Grammophon recording of the 16-17th centuries’ John Dowland’s lute-accompanied music in my hands, I would not believe that the British rock star had truly attempted to pull this one off.

But I do, and he has.

And not to bad effect, either. Unlike may Sting critics who seem to think the man should stay in his rut, I admire his constant rebellion against the artistic expectations to which we admirers of his art may want to hold him. I like his audacious impertinence.

I just didn’t expect this. Continue Reading »