The Austrian Joseph Haydn (1731-1798) and the Italian Luigi Boccherini (1743-1805) eased central and southern Europe through its transition from the Baroque to the Classical periods with considerable aplomb. Fortunately, both of these neatly overlapping composers leveraged the potential of the cello in order to do so.
Ludovit Kanta (cellist), the Capella Istropolitana, Peter Breiner (conductor), and a Naxos executive team that must have had its Wheaties here give us an enormously enjoyable version of Haydn’s concertos no. 1 and 2 and Boccherini’s Cello Concerto in B Flat. More controversially, they provided to their contracted artists—alternatively, the latter may have simply taken it—license to let the tradition grow under foot. (more…)
Canter Bridge 