In the Psalms, as in life, the enemy is often hidden and relentlessly scheming. Here as in so many other of its observations, the book of Psalms displays its characteristic realism.
We are more sentimental and romantic about our adversaries, at least in those moments when we can bring ourselves to admit their existence. We do alright with evil, comfortably abstract and remote. But we resist the notion of evil people. They’re a bit too concrete for our post-modern aesthetic, where everyone gads about on pretty much the same moral plain and almost any action can be tolerated if we can just find an angle from which to understand its causes. Continue Reading »
Canter Bridge 