Feeds:
Posts
Comments

Archive for the ‘reseña’ Category

This eclectic compilation is worth acquiring for Aretha Franklin’s opening track (‘Yield Not to Temptation’) alone. And that’s before you hit the aesthetic roller coaster of the remaining eleven titles.

Unfortunately, as one of the gems that emerged under the 1990s Sunday Times Music Collection rubric it is not widely available. The artists tagged in this post, however, are widely available under their own names.

1994 sounded good.

Read Full Post »

The Sunday Times Music Collection of the mid-1990s produced some fabulous compilations, of which Sax Appeal must rate as one of the best.

Twelve pieces, recorded by front-list bands between 1929 and 1944, are splashed across 35 minutes of play time.

This is quintessentially American music played by orchestras who usually had the conductor’s name in their title. Sadly, this 1995 CD appears not to be readily available.

Read Full Post »

It’s a shame that US immigration policy and the reality on the ground are so chaotic. If it were not so, it might be a simple matter to figure out what a body needs to do in order to employ, say, a housecleaner to come in for a few hours a month.

It is not simple and, so, a guide like this is needed.

The Nanny and Domestic Help Legal Kit is a model of clarity and accessible tools. (more…)

Read Full Post »

John David Webster is a gifted and energetic musician with a passion for worshiping Jesus Christ.

The Live at Lakeview album places these virtues on appreciable display.

As is the case with most contemporary worship leaders, the experience would be enhanced if we felt less obligated to speak. He’s much better when he sings.

When he talks (as he does quite a lot), he sounds banal and overly nailed to a rock-star persona. When he sings, the music is glorious.

Sing, John David, sing!

Read Full Post »

This early publication of the Hebrew University Bible project is a formidable achievement that pays tribute to the inestimable labor of its editor and editorial team.

The work represents a critical edition of the Aleppo Codex of the Book of Isaiah, widely considered to be the work of Ben Asher and the biblical exemplar commended by Maimonides.

In a preface that appears in both Hebrew and English, editor M.H. Goshen-Gottstein painstakingly and with striking clarity details the philosophy and pragmatic decision-making that produced the published text with its no fewer than six critical apparatii in the light of the history of the biblical text as we know it. (more…)

Read Full Post »

Mood music has a bad rep. That’s a pity.

The environments we create for ourselves matter deeply. Some make life difficult. Some make it impossible. Others destroy it outright.

Alternatively, good environments are a space where things can grow. Sometimes in a most orderly way, sometimes with wild extravagance, often with unintended consequences of peace, blessing, sturdiness, and grace.

Rob Barrett’s Communion: Music for a Hectic World establishes this latter kind of environment. Gentle almost to a fault, flawless in staying with the story it has chosen. Traditional hymns and more contemporary worship melodies receive loving treatment from a small band of instrumentalists, in which the violins feature the most prominently.

Communion is worthy of the noble rather than laughable task of creating background music for the soul.

That’s saying something.

Read Full Post »

Three great icons of American cinema were joined at the hip by the memory-saturated musical score that accompanied them. The Godfather films were expansive in many ways, but it ought not be forgotten that the music that framed them arguably lingers in our minds at least as long as the story’s most compelling visual images.

Notwithstanding criticism of the City of Prague Orchestra’s performance on this CD, I find this album a deeply satisfying revisitation of the Godfather phenomenon. The ‘Godfather Waltz’ and the ‘Love Theme’—with their variations on the two themes—define the musical horizon here.

It is music that would not stand without the film, as is true of film music in general with few exceptions. Yet after recently watching the three films over the space of a few weeks, I find this performance of its sounds well worth the patience it requires to hear them again.

Scenes linger. Sounds endure. A great cinematic moment does that sort of thing.

Read Full Post »

You may never listen to another Christmas album like Over the Rhine’s Snow Angels. You may end up listening to no other.

OtR brings to Yuletide their bedazzling touch with the blues and their stupendous way with a lyric. Christmas is before all else a Christian celebration, which to this reviewer causes a bit of a squirm when devoutly secular artists toss off an album to the cause (are you out there, Sarah McLachlan?). OtC does not posture itself within that bandwidth we call `contemporary Christian’. So what do they do with, say, a manger?

The short answer: lots. (more…)

Read Full Post »

HBO’s magnificent screen portrait of John Adams and his fellows at a time when they were ‘winging it’—as historian David McCullough has it in HBO’s online site for the show—is simply brilliant film-making. It should be viewed in every classroom of the nation from which this reviewer ponders the deeply moving experience of having done so in his living room.

Adams was the kind of politician—he would have hated the word and the notion to which it refers—for which the most secular among us should urgently pray. He had no stomach for the thing and only wanted to return to spread his best manure-soil mix on his beloved New England farm. Principled, articulate, and stubborn, he learned in the earnest fray of the revolutionary years the art of intelligent compromise. Paul Giamatti never lets us look away from the pain it caused him to lead, nor to easily evade the burden of historical gratitude that we owe to him, to his wife and family, and to those who labored beside them in the birth pangs of a nation. (more…)

Read Full Post »

My own halting advance into the world of Latin Ballroom Dance has led me to dance-themed CDs of each of the dances my long-suffering instructor is trying to get into my movement-resistant body and soul. Though the Rhumba is my favorite dance so far, this Strictly Dancing album is the least preferred of the five or six CDs I’ve accumulated.

Don’t get me wrong. It’s a perfectly serviceable project and you can dance to it. It won’t disappoint at the leve of functionality.

Neither will it light your fire. It’s just not great music. But you probably aren’t looking for that. If not, don’t hesitate to learn Rhumba to the melodious tunes of the Peres Blanca Band. If you want a bit more aesthetic pop to your music, you might look elsewhere.

Read Full Post »

« Newer Posts - Older Posts »