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Posts Tagged ‘textures’

It must be asked what a work like this Song says of the community that embraces it and of that people’s God. A splendid eroticism pervades its lines, eroding the conventions of pious discourse in its exuberant longing for intercourse. There is no voyeurism here, it is true. But the appreciation of a splendid and holy eroticism is blushworthy for readers who have been patiently weaned from such desire and its out-loud articulation. (more…)

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According to the most plausible reading of this taxing work, Qohelet encourages his readers to understand that much can be known by the powers of human observation. Yet this potent capacity of studying how things work here ‘under the sun’ cannot relieve us of our despair.

By these lights, Ecclesiastes represents a subset of the human condition: we are glorious knowers indeed, yet even vanity threads its despairing weave through our lives’ intelligence so long as our perspective fails to access YHWH’s deeper purpose. That achievement is in truth a gift. It depends upon a relationship with one’s Creator that cannot be instigated or managed by the natural means available to women and men who crash against the sour limits of life here below. (more…)

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Von Rad’s venerable and seminal treatment of the topic, now made available in an inexpensive reprint, is considerably enhanced for modern readers by B.C. Ollenburger’s introductory essay, ‘Gerhard von Rad’s Theory of Holy War.’ This version of what has become a classic point of departure for studies of warfare and the Divine Warrior figure in the Old Testament’ is further complemented by J.E. Sanderson’s ‘War, Peace, and Justice in the Hebrew Bible: A Representative Bibliography.’ Approaching the topic with an ethical concern that is not given broad expression in Von Rad’s monograph, Sanderson appends her annotated bibliography ‘as a contribution to the advancement of peace’ from the pen of ‘someone with a lifelong fascination for the Bible as well as a commitment to peacemaking.’ (more…)

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An emeritus professor of homiletics introduces Job in this study guide, which belongs to a series that is intended to help the church’s laity read the Bible more clearly and intelligently. Wharton mentions issues that occupy academic scholars only where these are deemed to illuminate the reading of the book’s final form. The guide’s introduction treats the book’s function, structure, the names of God in Job, and the concept of Job as the Lord’s servant (Nebucha\drezzar appears for Cyrus in his mention of Isa 45). In his exposition, ‘hassatan’ of the prologue is not God’s archenemy of later theology, but his denial that disinterested piety exists may be ‘satanic’. It is hinted that the relationship between prologue, epilogue, and the poetic centre may be explained by a reworking of a pre-existing and simplistic Job tale, one which in its original form would have satisfied the certainties of Job’s counsellors. The poetic reworking forcefully rewrites the story as a challenge to religious truisms. Because the wisdom of Job’s friends has deep roots in Jewish and Christian piety, Wharton attempts a sympathetic hearing of Eliphaz by allowing him to develop his argument in chs 4-5, 15, and 22 without the interruption of Job’s responses and other interlocutions. The nine basic elements of Eliphaz’ case are at home in the piety of Judaism and Christianity. (more…)

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At times the power of a work remains latent until circumstances arrange themselves in such a way that it seems written for this moment. Such is the potency of the extended rumination that we call Ecclesiastes, after the odd name given to the presenting speaker. Worn-out moderns and post-moderns born into despair find in its pages a script of their own mind’s journey. (more…)

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‘A foolish consistency is the hobgoblin of little minds’, Ralph Waldo Emerson famously aphorized.

Though the pungency of Emerson’s observation is admirable, the biblical proverbialist beat him to the punch:

Where no oxen are, the crib is clean; But much increase is by the strength of the ox.

(more…)

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Atria and ventricles notwithstanding, the heart is otherwise not a well compartmentalized organ. The biblical proverbialist knows this:

The heart may ache even in laughter,
And joy may end in grief.

We are complex little creatures, walking about in fragile skin with the twin burdens of glory and tragedy just beneath. We feel more than we can say, know more than we can shape into words that can flow gracefully from trembling lips. Our joy knows the bounds only of our inability to express it. Our sadness runs deeper than words can say. All of this is mixed up together in one potent brew of human experience. (more…)

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‘You always know just what to say’ is one of the highest of available compliments. One hears it too seldom. (more…)

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A man’s bones ache under the guilt he acknowledges. His heart lies shattered.

That the psalms should present King David as knowing this, indeed, that they should have him say so in the first person is testimony to the enduring, transparent genius of the biblical David. Even the king—reader of Torah, spokesman for justice—’went in to Bathsheba’. Is there anyone, one asks in the shadow of this, who has not had his Bathsheba? Has anyone not known the grating rot of bones, the fearful terror of a heart that’s been crushed? (more…)

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Human beings are designed for eternity. Whether by procreation or resurrection, our longing for eternality surpasses our desire to return to the dust from whence we came. (more…)

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