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Christmas music is an uneasy genre to define and review. Defined by the season in which it is played rather than by any ordinary considerations of genre, it slips easily into trite sentimentalism and commercial opportunism. The result of the latter is the awkward sound of artists who seem to have little in common with the season performing ‘Christmasy’ tunes as though outfitted in a too-tight pair of trousers. Continue Reading »