Canter Bridge

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Rebecca Blood loves her craft.

In a world moving as fast as the cyberworld is, a book written in 2002 and reviewed now in 2007 is bound to show its age. The Weblog Handbook does so.

Yet for sheer, innocent (but not inexpert), joyful description of a weblog community that discovered itself almost accidentally between 1999 and 2002, this delightful little book is both a period piece and a still-useful introduction to weblogging for novices.

Seven well-written chapters make the experience of reading this old-media production (ironies abound) a pleasure.

‘What is a Weblog?’ (chapter one, pp. 1-25) does what its title makes obvious. Along the way, the author utilizes her impeccably accessible prose to highlight the serendipitous, communal, and artistic-creative aspects of most blogs, or at least of those that set the movement afoot.

Blood’s second chapter (her generous first-person style makes a reviewer who has never met her refer to her simply as ‘Rebecca’; ‘Why a Weblog?’, pp. 27-37) dispenses wisdom regarding how the beast can take over the life of the beast-er. She indicates three motives for blogging: ‘information sharing, reputation building, and personal expression’, with careful attention to what the practice does for the writer as well as for the reader. The secret is to align what one already does with one’s life as Daily Chronicler of Something.

Chapter three (‘Creating and Maintaining Your Weblog’, pp. 39-57) puts the ‘p’ in the first word of the author’s subtitle. A newbie in the field will appreciate the absence of condescension as Blood introduces him to the nuts and bolts of his new hobby.

Every successful artist or otherwise public persona experiences that memorable moment when she understands who she is in her given role and why that is a natural place to be. According to Rebecca Blood, bloggers are no different (Chapter four, ‘Finding Your Voice’, pp. 59-76). Though she gives due attention to the blogger-audience dynamic from several angles, she is very much aware that a blogger who wants her craft to be an integral aspect of her life finds her voice (including the topic upon which she can write knowledgeably) and sticks with it.

Rebecca concludes ‘Finding an Audience’ (chapter five, pp. 77-99) with this judicious and provocative statement: ‘If your objective in keeping a weblog is to gain a wide audience, I advise you to quite today. Webloggers who care about the size of their audience are always unhappy.’

By the time she has worked her way to that declaration, however, she has provided twenty pages of helpful guidance to, well, finding and building an audience. One gains the impression that here is a woman of balance, willing to help you do the thing you want to do but aware that it may turn out to be something other than that. Kudos to her for writing a professional manual that takes itself with appropriate levity.

Blood utilizes her sixth chapter to blend garden-variety journalistic ethics and etiquette with the peculiar idealism of the early weblogging community (chapter six, ‘Weblog Community and Etiquette’, pp. 101-125). Though she breaks her counsel into ‘do not do’ and ‘do’ categories, her approach is not rigid. Rather it is altruistic, idealistic, and communal. Even if those traits do not guarantee a better world, they are better than their alternatives. Blood capably guides the novice through the unspoken expectations that linger like minefields before the new weblogger who is clueless, belligerent, or some combination of the two. Reader beware.

Chapter seven (‘Living Online’, pp. 127-145), provides Blood with her clearest opportunity to disclose what the experience of doing what the title suggests has meant to this civil and entertaining author of ‘Rebecca’s Pocket’. As with so much of what she has written here, the basic principle is common sense, even if that uncommon virtue must now be applied to a recent and uncongealed new medium of public disclosure. Living online does not mean that the blogger or his friends, acquaintances, and even the defenseless objects of his drive-by observations do not preserve and need a private life. Blood offers sensible guidance for observing those limits and avoiding the unwelcome intrusions to which technology has added such unwelcome afterlife.

An afterword and several appendices complete a fine introduction to what in the hands of some must be regarded as a craft.

When entering theological seminary many years ago, I was urged to read Helmut Thielicke’s A Little Exercise for Young Theologians. That slim, heartfelt volume did not teach anyone how to be a good theologian, yet it punched above its weight by setting a course for decent progress by practitioners of a craft who would now be more aware of self and community than would have been the case had Thielicke kept his pen locked away.

Rebecca Blood’s little book does the same for aspiring bloggers. Perhaps all that one has with which to repay her are five well-earned stars.